{"id":34572,"date":"2025-05-12T15:15:36","date_gmt":"2025-05-12T13:15:36","guid":{"rendered":"https:\/\/zlindesignweek.com\/2026\/?p=34572"},"modified":"2025-05-12T15:18:55","modified_gmt":"2025-05-12T13:18:55","slug":"titul-best-in-design-2025-i-odmena-1-500-euro-miri-na-slovensko-dalibor-itze-viteznym-projektem-redesignoval-slovenske-vlaky","status":"publish","type":"post","link":"https:\/\/zlindesignweek.com\/2026\/2025\/05\/12\/titul-best-in-design-2025-i-odmena-1-500-euro-miri-na-slovensko-dalibor-itze-viteznym-projektem-redesignoval-slovenske-vlaky\/","title":{"rendered":"Titul Best in Design 2025 i odm\u011bna 1\u00a0500 euro m\u00ed\u0159\u00ed na Slovensko – Dalibor Itze v\u00edt\u011bzn\u00fdm projektem redesignoval slovensk\u00e9 vlaky\u00a0"},"content":{"rendered":"\n

Presti\u017en\u00ed mezin\u00e1rodn\u00ed sout\u011b\u017e Best in Design 2025 kone\u010dn\u011b zn\u00e1 sv\u00e9ho v\u00edt\u011bze. Porota vyb\u00edrala z v\u00edce ne\u017e 540 p\u0159ihl\u00e1\u0161en\u00fdch projekt\u016f ve \u010dty\u0159ech sout\u011b\u017en\u00edch kategori\u00edch \u2013 Product & Industrial, Communication, Fashion a Service Design. Absolutn\u00edm v\u00edt\u011bzem nap\u0159\u00ed\u010d v\u0161emi kategoriemi se stal Dalibor Itze s projektem Slovak Railways Redesign. Nejv\u00edce ocen\u011bn\u00ed v\u0161ak putuje do Polska \u2013 hned t\u0159i si odnesla Agnieszka Bujas, kter\u00e1 byla ocen\u011bna v kategorii Product & Industrial, z\u00edskala Media Award i zvl\u00e1\u0161tn\u00ed cenu nadace Martiny a Martina R\u016f\u017ei\u010dkov\u00fdch. Slavnostn\u00ed vyhl\u00e1\u0161en\u00ed se konalo 10. kv\u011btna v Kongresov\u00e9m centru Zl\u00edn, ikonick\u00e9 budov\u011b od sv\u011btozn\u00e1m\u00e9 architektky Evy Ji\u0159i\u010dn\u00e9.<\/strong><\/p>\n\n\n\n

Slavnostn\u00ed ceremoni\u00e1l Best in Design byl i letos jedn\u00edm z hlavn\u00edch bod\u016f t\u00fddenn\u00edho festivalu Zlin Design Week. K propojen\u00ed t\u00e9matu festivalu – DIALOG – a slavnostn\u00edho ceremoni\u00e1lu slou\u017eily sv\u011bteln\u00e9, dynamick\u00e9 obrazy, do jejich\u017e tvorby se zapojovali i div\u00e1ci. Tyto hrav\u00e9 prvky podtrhly atmosf\u00e9ru slavnostn\u00edho designov\u00e9ho ve\u010dera, kter\u00fd op\u011bt doprov\u00e1zela i tane\u010dn\u00ed performance. Cel\u00fdm ve\u010derem div\u00e1ky prov\u00e1zela moderace Tom\u00e1\u0161e Kozelsk\u00e9ho ze studia KOGAA, kter\u00fd se t\u00e9to role ujal podruh\u00e9.<\/p>\n\n\n\n

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Absolutn\u00ed v\u00edt\u011bz Best in Design 2025<\/strong><\/h4>\n\n\n\n

\u201eS\u00fa\u010dasn\u00fd stav dizajnu \u017delezni\u010dnej Spolo\u010dnosti Slovensko, je ve\u013emi roztr\u00fasen\u00fd a chaotick\u00fd pre cestuj\u00facich. Moja motiv\u00e1cia byla ho s \u010do najmen\u0161\u00edmi zmenami zjednoti\u0165 a vyrie\u0161i\u0165 v\u0161etky naviga\u010dn\u00e9 probl\u00e9my,\u201c \u0159\u00edk\u00e1 o sv\u00e9m v\u00edt\u011bzn\u00e9m projektu slovensk\u00fd student Univerzity Tom\u00e1\u0161e Bati ve Zl\u00edn\u011b Dalibor Itze. <\/p>\n\n\n\n

Hlavn\u00ed cenu cel\u00e9 sout\u011b\u017ee z\u00edskal za svou pr\u00e1ci zam\u011b\u0159enou na design vlak\u016f ve Slovensk\u00e9 republice. Projektu se v\u011bnoval u\u017e od bakal\u00e1\u0159sk\u00e9 pr\u00e1ce. C\u00edlem je pos\u00edlen\u00ed  identity \u017eeleznic v\u016f\u010di konkurenci, zlep\u0161en\u00ed intuitivn\u00ed orientace cestuj\u00edc\u00edch a zv\u00fd\u0161en\u00ed p\u0159\u00edstupnosti osob\u00e1m se zdravotn\u00edm znev\u00fdhodn\u011bn\u00edm. V\u00fdsledek je dostupn\u00fd tak\u00e9 online na railwaydesign.xyz<\/a>.<\/p>\n\n\n\n

Dalibor si jako nov\u00fd dr\u017eitel titulu Best in Design 2025 odnesl medi\u00e1ln\u00ed podporu  a odm\u011bnu ve v\u00fd\u0161i 1 500 euro (1 000 euro za titul Best in Design a 500 euro za prvn\u00ed m\u00edsto v kategorii Communication Design).<\/p>\n\n\n\n

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Kategorie Product & Industrial Design<\/strong><\/h4>\n\n\n\n

Porota: <\/strong>Marek Ku\u017ami\u0144ski, B\u00fcro Famos (Hanna Litwin, Romin Heide), Luk\u00e1\u0161 Nov\u00e1k<\/p>\n\n\n\n

Prvn\u00ed m\u00edsto z\u00edskal Ivo Jedli\u010dka<\/strong> s projektem Cooking the craft<\/strong>. C\u00edlem jeho pr\u00e1ce bylo propojen\u00ed gastronomie a design\u00e9rsk\u00e9ho um\u011bn\u00ed. P\u0159\u00edpravu j\u00eddla a \u0159emeslnou v\u00fdboru n\u00e1dob\u00ed propojuje nev\u0161edn\u00edm zp\u016fsobem nap\u0159\u00edklad vrstven\u00edm porcel\u00e1nu po vzoru listov\u00e9ho t\u011bsta nebo obalov\u00e1n\u00edm tal\u00ed\u0159\u016f v hl\u00edn\u011b jako ve strouhance. Projekt vyvrcholil tematickou pop-up ve\u010de\u0159\u00ed ve spolupr\u00e1ci s \u0161\u00e9fkucha\u0159em Franti\u0161kem Skopcem, kde se serv\u00edrovalo menu reflektuj\u00edc\u00ed principy pou\u017eit\u00e9 p\u0159i tvorb\u011b n\u00e1dob\u00ed.<\/p>\n\n\n\n

Na druh\u00e9m m\u00edst\u011b se v kategorii Product & Industrial Design um\u00edstila pr\u00e1ce Agnieszky Bujas<\/strong> \u2013 mobiln\u00ed stanice pro porodn\u00ed asistentky. Cel\u00fd projekt byl inspirov\u00e1n osobn\u00ed zku\u0161enost\u00ed autorky s profes\u00ed jej\u00ed matky a nese n\u00e1zev Home Care for the Newborn and Mother During the Postpartum Period<\/strong>. Produkt zahrnuje speci\u00e1ln\u00ed ta\u0161ku s p\u0159enosnou v\u00e1hou pro novorozence. Doprov\u00e1z\u00ed ho mobiln\u00ed aplikace s rozhran\u00edm pro pl\u00e1nov\u00e1n\u00ed n\u00e1v\u0161t\u011bv u doktora a sledov\u00e1n\u00ed zdravotn\u00edho stavu d\u00edt\u011bte.<\/p>\n\n\n\n

T\u0159et\u00ed m\u00edsto obsadila T\u00edmea Kepov\u00e1<\/strong> se svou kolekc\u00ed sedac\u00edho n\u00e1bytku UP AND DOWN Collection<\/strong>. Autorka se zam\u00fd\u0161l\u00ed nad sedav\u00fdm zp\u016fsobem \u017eivota a jeho dopadem na zdrav\u00ed \u010dlov\u011bka. Sv\u00fdm designov\u00fdm praktick\u00fdm kouskem vyb\u00edz\u00ed k aktivn\u00edmu sezen\u00ed. N\u00e1bytek v jej\u00ed kolekci p\u016fsob\u00ed m\u00edrn\u011b nestabiln\u011b a to nut\u00ed k p\u0159irozen\u00e9mu pohybu p\u0159i sezen\u00ed. <\/p>\n\n\n\n

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Kategorie Fashion Design<\/strong><\/h4>\n\n\n\n

Porota: <\/strong>Rafa\u0142 Zakrzewski, Branko Popovic (FASHIONCLASH), Katar\u00edna Mydliarov\u00e1<\/p>\n\n\n\n

V kategorii Fashion Design porota ud\u011blila prvn\u00ed m\u00edsto Darie Dembicke<\/strong> s kolekc\u00ed Sweet Decadence<\/strong>, inspirovanou sv\u011btem tance, muzik\u00e1l\u016f a burlesky. Jej\u00ed n\u00e1vrhy se pohybuj\u00ed na hranici dopl\u0148ku, obuvi a rekvizity. Svou funkci m\u011bn\u00ed d\u00edky m\u011b\u0159\u00edtku a pou\u017eit\u00fdm materi\u00e1l\u016fm. Daria vyu\u017e\u00edv\u00e1 kombinaci 3D tisku, kovov\u00fdch odlitk\u016f a dal\u0161\u00edch technik.<\/p>\n\n\n\n

Druh\u00e9 m\u00edsto z\u00edskal Pawe\u0142 Ka\u017amierowski<\/strong> se svou kolekc\u00ed Childhood Dreams Unleashed<\/strong>. Inspiraci \u010derp\u00e1 z poh\u00e1dek, m\u00fdt\u016f a fantazijn\u00edch postav jako mo\u0159sk\u00e9 v\u00edly. Svou kolekc\u00ed o\u017eivuje d\u011btsk\u00e9 sny a p\u0159edstavy, kter\u00e9 ho uchv\u00e1tily, kdy\u017e byl mal\u00fd. Prost\u0159ednictv\u00edm v\u00fdrazn\u00fdch tvar\u016f, luxusn\u00edch materi\u00e1l\u016f a odv\u00e1\u017en\u00e9ho stylu autor ukazuje, \u017ee m\u00f3da m\u016f\u017ee b\u00fdt n\u00e1strojem, jak vyj\u00e1d\u0159it to, k\u00fdm opravdu jsme.<\/p>\n\n\n\n

Na t\u0159et\u00ed p\u0159\u00ed\u010dce se um\u00edstily Eli\u0161ka Gogolov\u00e1 a B\u00e1ra Tetaurov\u00e1<\/strong> s projektem Z\u00farodni sv\u016fj mikrobiom \/ Nourish Your Body and Soil.<\/strong> P\u0159edstavuj\u00ed propojen\u00ed lidsk\u00e9ho t\u011bla, p\u016fdy a mikrobi\u00e1ln\u00edho \u017eivota jako jednoho ekosyst\u00e9mu, kter\u00fd je t\u0159eba kultivovat. Auto\u0159i zpracov\u00e1vaj\u00ed jinak nevyu\u017eitou ov\u010d\u00ed vlnu z moravsk\u00e9 obce Sala\u0161 a p\u0159edstavuj\u00ed ji jako m\u00e9dium pro p\u0159enos prosp\u011b\u0161n\u00fdch p\u016fdn\u00edch bakteri\u00ed na lidskou poko\u017eku. Kolekce inspirovan\u00e1 p\u0159\u00edrodn\u00edmi procesy rozkladu, fermentace a regenerace otev\u00edr\u00e1 skrze textil dialog o p\u00e9\u010di \u2013 o sebe, o druh\u00e9 i o planetu.<\/p>\n\n\n\n

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Kategorie Service Design<\/strong><\/h4>\n\n\n\n

Porota:<\/strong> Dorothea Wagnerberger, Janka Csern\u00e1k (MOME), Roman Sellner Novotn\u00fd <\/p>\n\n\n\n

V\u00fdhercem kategorie Service Design se stal projekt Creative Currents<\/strong>, kter\u00fd propojuje podnik\u00e1n\u00ed, komunitu a \u017eivot na lond\u00fdnsk\u00fdch kan\u00e1lech. Za t\u00edmto n\u00e1padem stoj\u00ed t\u00fdm \u010dty\u0159 autorek \u2013 Lucia Natalia Perez Gonzalez, Alice Chapman, Shubhangi Shubhangi, Olivia Cederquist<\/strong>. Sv\u00fdm projektem nab\u00edz\u00ed prostor pro prodej, sd\u00edlen\u00ed zku\u0161enost\u00ed i rozvoj dovednost\u00ed kreativn\u00edm podnikatel\u016fm  \u017eij\u00edc\u00edm na lod\u00edch. Hlavn\u00edm p\u0159\u00ednosem je o\u017eiven\u00ed tradi\u010dn\u00edch \u0159emesel, pos\u00edlen\u00ed m\u00edstn\u00ed ekonomiky a udr\u017eiteln\u011bj\u0161\u00ed rozvoj m\u011bstsk\u00fdch vodn\u00edch cest.<\/p>\n\n\n\n

Druh\u00e9 m\u00edsto pat\u0159\u00ed Karol\u00edn\u011b Menclerov\u00e9<\/strong> s projektem After Trash<\/strong>. Jedn\u00e1 se o digit\u00e1ln\u00ed rozhran\u00ed v podob\u011b aplikace, jej\u00edm\u017e c\u00edlem je propojovat a motivovat lidi a informovat o d\u00fasledc\u00edch odpadu na na\u0161i planetu. Autorka vych\u00e1z\u00ed z osobn\u00ed zku\u0161enosti z jihov\u00fdchodn\u00ed Asie, kde se vyu\u017e\u00edvaly p\u0159i sb\u00edr\u00e1n\u00ed odpadu gamifikace (pr\u00e1ce hrou) a komunitn\u00ed spolupr\u00e1ce \u2013 tak se z odpadu m\u016f\u017ee st\u00e1t podn\u011bt k pozitivn\u00ed zm\u011bn\u011b.<\/p>\n\n\n\n

Posledn\u00ed ocen\u011bn\u00ed t\u00e9to kategorie putovalo do t\u00fdmu dvou n\u011bmeck\u00fdch kreativc\u016f \u2013 Lars Sorger a Claudius Pudel<\/strong>. Projekt s n\u00e1zvem Frozen Research<\/strong> zprost\u0159edkov\u00e1v\u00e1 u\u017eivatel\u016fm pomoc\u00ed virtu\u00e1ln\u00ed reality pohled do klimatick\u00e9 minulosti. Skrze vrstvy ledov\u00e9ho j\u00e1dra odhaluje v\u00fdvoj klimatu a dopad lidsk\u00e9ho vlivu na planetu. Slo\u017eit\u00e9 v\u011bdeck\u00e9 poznatky p\u0159ekl\u00e1d\u00e1 do srozumiteln\u00e9 a poutav\u00e9 formy, t\u00edm podporuje porozum\u011bn\u00ed klimatick\u00e9 krizi a podn\u011bcuje k pozitivn\u00edm zm\u011bn\u00e1m.<\/p>\n\n\n\n

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Kategorie Communication Design<\/strong><\/h4>\n\n\n\n

Porota:<\/strong> <\/strong>Barbora Kramn\u00e1, Michael Dolej\u0161 (Studio Najbrt), Dan Zucco <\/p>\n\n\n\n

V\u00edt\u011bzem kategorie Communication Design a z\u00e1rove\u0148 absolutn\u00edm v\u00edt\u011bzem Best in Design 2025 se stal ji\u017e zm\u00edn\u011bn\u00fd student zl\u00ednsk\u00e9 univerzity Dalibor Itze<\/strong> s projektem Slovak Railways Redesign<\/strong>. <\/p>\n\n\n\n

Pomyslnou st\u0159\u00edbrnou medaili z\u00edskala Michaela Zde\u0148kov\u00e1<\/strong> s projektem Fight FGM\/C Together<\/strong>, kter\u00fd upozor\u0148uje na st\u00e1le aktu\u00e1ln\u00ed probl\u00e9m \u017eensk\u00e9 ob\u0159\u00edzky. V\u00fdstupem je informa\u010dn\u00ed a vizu\u00e1ln\u00ed kampa\u0148, kter\u00e1 m\u00e1 za c\u00edl zv\u00fd\u0161it pov\u011bdom\u00ed ve\u0159ejnosti a podpo\u0159it organizace bojuj\u00edc\u00ed proti t\u011bmto praktik\u00e1m. Projekt doprov\u00e1z\u00ed merch s motivem pou\u0161tn\u00ed kv\u011btiny, v\u00fdrazn\u00e1 oran\u017eov\u00e1 barva a p\u00edsmo Quanta Grotesk.<\/p>\n\n\n\n

T\u0159et\u00ed m\u00edsto si vybojoval projekt Digit\u00e1ln\u00ed zahrada ohro\u017een\u00fdch druh\u016f rostlin v \u010cesk\u00e9 republice<\/strong> od Iny Dubavy.<\/strong> Jedn\u00e1 se o spojen\u00ed dat, designu a ekologie. Autorka skrze digit\u00e1ln\u00ed tabule v \u017eivotn\u00ed velikosti generuje pomoc\u00ed k\u00f3du virtu\u00e1ln\u00ed prostor, kde mohou p\u0159e\u017e\u00edt rostliny ohro\u017een\u00e9 vyhynut\u00edm. V\u00fdsledn\u00e1 instalace obsahuje \u0161est monitor\u016f v \u017eivotn\u00ed velikosti rostlin, dopln\u011bn\u00e9 o dr\u00e1ty jako metafory ko\u0159en\u016f. <\/p>\n\n\n\n

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Media Award & Speci\u00e1ln\u00ed cena<\/strong><\/h4>\n\n\n\n

Krom\u011b klasick\u00fdch ocen\u011bn\u00ed byla v roce 2022 zavedena speci\u00e1ln\u00ed cena – titulu Media Award. Ocen\u011bn\u00ed vyb\u00edraj\u00ed \u0161\u00e9fredakto\u0159i a \u0161\u00e9fredaktorky z p\u0159edn\u00edch designov\u00fdch m\u00e9di\u00ed. Letos porotu tvo\u0159ili V\u00e1clav Bed\u0159ich z \u010dasopisu CzechCrunch, Eva Slune\u010dkov\u00e1 z Elle Decoration a\u00a0Veronika Pa\u0159\u00edzkov\u00e1, \u0161\u00e9fredaktorka magaz\u00ednu DesignNews. Krom\u011b toho byla letos ud\u011blena i Speci\u00e1ln\u00ed cena nadace Martina a Martiny R\u016f\u017ei\u010dkov\u00fdch<\/strong>. Ob\u011b tyto ceny z\u00edskala polsk\u00e1 sout\u011b\u017e\u00edc\u00ed Agnieszka Bujas<\/strong> se sv\u00fdm projektem mobiln\u00ed stanice pro porodn\u00ed asistentky, Home Care for the Newborn and Mother During the Postpartum Period<\/strong>.<\/p>\n\n\n\n

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Refresher Art Award<\/strong><\/h4>\n\n\n\n

Nov\u00e9 a tak\u00e9 posledn\u00ed ocen\u011bn\u00ed Refresher Art Award obdr\u017eela Ina Dubava<\/strong>. Jej\u00ed projekt Digit\u00e1ln\u00ed zahrada ohro\u017een\u00fdch druh\u016f rostlin v \u010cesk\u00e9 republice<\/strong> zaujal porotu siln\u00fdm propojen\u00edm digit\u00e1ln\u00edho um\u011bn\u00ed s t\u00e9matem vym\u00edraj\u00edc\u00edch rostlin. Magaz\u00edn Refresher ocen\u00ed jej\u00ed pr\u00e1ci medi\u00e1ln\u00edm prostorem formou \u010dl\u00e1nku a carouselu na Instagramu, p\u0159edplatn\u00fdm Refresher+ a um\u011bleckou sochou od spole\u010dnosti Klimchi.<\/p>\n","protected":false},"excerpt":{"rendered":"Presti\u017en\u00ed mezin\u00e1rodn\u00ed sout\u011b\u017e Best in Design 2025 kone\u010dn\u011b zn\u00e1 sv\u00e9ho v\u00edt\u011bze. Porota vyb\u00edrala z v\u00edce ne\u017e 540 p\u0159ihl\u00e1\u0161en\u00fdch projekt\u016f ve \u010dty\u0159ech sout\u011b\u017en\u00edch kategori\u00edch \u2013 Product & […]","protected":false},"author":47,"featured_media":34573,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"class_list":["post-34572","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog"],"acf":[],"_links":{"self":[{"href":"https:\/\/zlindesignweek.com\/2026\/wp-json\/wp\/v2\/posts\/34572","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zlindesignweek.com\/2026\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/zlindesignweek.com\/2026\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/zlindesignweek.com\/2026\/wp-json\/wp\/v2\/users\/47"}],"replies":[{"embeddable":true,"href":"https:\/\/zlindesignweek.com\/2026\/wp-json\/wp\/v2\/comments?post=34572"}],"version-history":[{"count":2,"href":"https:\/\/zlindesignweek.com\/2026\/wp-json\/wp\/v2\/posts\/34572\/revisions"}],"predecessor-version":[{"id":34582,"href":"https:\/\/zlindesignweek.com\/2026\/wp-json\/wp\/v2\/posts\/34572\/revisions\/34582"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/zlindesignweek.com\/2026\/wp-json\/wp\/v2\/media\/34573"}],"wp:attachment":[{"href":"https:\/\/zlindesignweek.com\/2026\/wp-json\/wp\/v2\/media?parent=34572"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/zlindesignweek.com\/2026\/wp-json\/wp\/v2\/categories?post=34572"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}