{"id":19598,"date":"2023-04-20T12:15:44","date_gmt":"2023-04-20T10:15:44","guid":{"rendered":"https:\/\/zlindesignweek.com\/2024\/?p=19598"},"modified":"2023-04-25T18:28:24","modified_gmt":"2023-04-25T16:28:24","slug":"zname-finalisty-best-in-design-23-kdo-si-letos-odnese-titul","status":"publish","type":"post","link":"https:\/\/zlindesignweek.com\/2026\/2023\/04\/20\/zname-finalisty-best-in-design-23-kdo-si-letos-odnese-titul\/","title":{"rendered":"Zn\u00e1me finalisty Best in Design \u201823. Kdo si letos odnese titul?"},"content":{"rendered":"\n
\n

Best in Design je mezin\u00e1rodn\u00ed sout\u011b\u017e pro jednotlivce nebo kolektivy ve v\u011bku do 30 let. Ve h\u0159e jsou nejen finan\u010dn\u00ed odm\u011bny od 200 do 1 500 eur, ale p\u0159edev\u0161\u00edm obrovsk\u00e1 p\u0159\u00edle\u017eitost z\u00edskat zp\u011btnou vazbu a porovnat se s mlad\u00fdmi design\u00e9ry z cel\u00e9ho sv\u011bta.<\/p>\n<\/div><\/div>\n\n\n\n

\n

R\u00e1di bychom ti p\u0159edstavili finalisty a porotu sout\u011b\u017ee Best in Design leto\u0161n\u00edho Zlin Design Weeku. Finalist\u00e9 se p\u0159edstavuj\u00ed ve \u010dty\u0159ech kategori\u00edch: Product & Industrial Design, Communication Design, Fashion Design a Service Design.<\/p>\n<\/div><\/div>\n\n\n\n

\n

PRODUCT & INDUSTRIAL DESIGN<\/h3>\n<\/div><\/div>\n\n\n\n
\n

Kategorie zahrnuje design produkt\u016f, design interi\u00e9ru a n\u00e1bytku, design n\u00e1stroj\u016f a za\u0159\u00edzen\u00ed a dal\u0161\u00ed..<\/p>\n<\/div><\/div>\n\n\n\n

\n

Porotci Product & Industrial design: <\/strong>B\u00dcRO FAMOS, KRIST\u00ddNA MIKOL\u00c1\u0160KOV\u00c1 A TEREZA DROBN\u00c1, JOSEF ROZEHNAL NAHAKU + DATART<\/p>\n<\/div><\/div>\n\n\n\n

\n

MICHAL ZMEK \u2013 BRUNCH COLLECTION<\/h4>\n<\/div><\/div>\n\n\n\n
\n

Brunch collection je jeho diplomovou prac\u00ed. Jedn\u00e1 se o ucelenou kolekci mobili\u00e1\u0159e do exteri\u00e9ru, orientovan\u00e9ho p\u0159edev\u0161\u00edm do kav\u00e1rensk\u00e9ho sektoru. Sou\u010d\u00e1st\u00ed kolekce jsou \u017eidle, lounge k\u0159eslo, n\u00edzk\u00fd a vysok\u00fd stolek. Cel\u00fd soubor n\u00e1bytku spojuje jedna technologie v\u00fdroby, a to pod\u00e9ln\u011b na\u0159\u00edznut\u00e1 trubka, kter\u00e1 je n\u00e1sledn\u011b ohnuta do po\u017eadovan\u00e9ho tvaru. Kolekce je vyrobena z odoln\u00fdch materi\u00e1l\u016f, kter\u00e9 jsou schopny odolat nep\u0159\u00edzniv\u00fdm pov\u011btrnostn\u00edm podm\u00ednk\u00e1m. Prim\u00e1rn\u00edm materi\u00e1lem je ocel, a\u0165 u\u017e ve form\u011b trubky \u010di plechu. Sekund\u00e1rn\u00edm pot\u00e9 p\u0159ekli\u017eka ur\u010den\u00e1 do exteri\u00e9ru a l\u00e1tka.<\/p>\n<\/div><\/div>\n\n\n\n

\n
\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n<\/figure>\n<\/div><\/div>\n\n\n\n
<\/div>\n\n\n\n
\n

TIMEA KEPOV\u00c1 \u2013 TONICI<\/h4>\n<\/div><\/div>\n\n\n\n
\n

Zv\u00ed\u0159\u00e1tka \u2013 upcyclingov\u00e9 dekorace jsou vyr\u00e1b\u011bn\u00fd z vadn\u00fdch kus\u016f sed\u00e1k\u016f \u017eidli od firmy TON, kter\u00e9 by se ji\u017e d\u00e1le nedaly vyu\u017e\u00edt. Spolu s krabi\u010dkou vznikaj\u00ed v\u00fdlu\u010dn\u011b z vy\u0159azen\u00fdch polotovar\u016f z v\u00fdroby. D\u00edky my\u0161lence a snaze vdechnout polotovar\u016fm nov\u00fd \u017eivot te\u010f dok\u00e1\u017eou b\u00fdt spole\u010dn\u00edky v interi\u00e9ru. Koho jste si na\u0161li v krabi\u010dce? Je to HUSTON, DELFTON, PAPTON nebo BA\u017dTON? C\u00edlem tohoto projektu byla snaha o zrecyklov\u00e1n\u00ed prvk\u016f, kter\u00e9 se d\u00e1le nedaj\u00ed vyu\u017e\u00edt. Zv\u00ed\u0159\u00e1tka se tak st\u00e1vaj\u00ed spole\u010dn\u00edky a z\u00e1rove\u0148 jsou p\u0159\u00edkladem toho, \u017ee dne\u0161n\u00ed sv\u011bt pot\u0159ebuje tvo\u0159it ve prosp\u011bch ekologie.<\/p>\n\n\n\n

\n
\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n<\/figure>\n<\/div><\/div>\n<\/div><\/div>\n\n\n\n
<\/div>\n\n\n\n
\n

ZUZANA W\u00d3JCIK \u2013 TOUCH THE TEXTILE<\/h4>\n<\/div><\/div>\n\n\n\n
\n

Touch The Textile je projekt zasazen\u00fd do praktick\u00e9ho v\u00fdzkumu designu, kter\u00fd zkoum\u00e1 slo\u017eky tkac\u00ed techniky ve vztahu k hmatatelnosti textili\u00ed tak, aby se maximalizoval jejich haptick\u00fd v\u00fdraz. Vazby, kvalita p\u0159\u00edz\u00ed a struktura vazby m\u016f\u017ee v\u00fdrazn\u011b p\u0159isp\u011bt k vytv\u00e1\u0159en\u00ed hmatov\u00fdch vjem\u016f na z\u00e1klad\u011b textury, ale v oblasti textiln\u00edho designu je toho skute\u010dn\u011b m\u00e1lo. Proto Touh The Textile p\u0159isp\u00edv\u00e1 k oboru zkoum\u00e1n\u00edm mo\u017enost\u00ed designu a potenci\u00e1lu vytv\u00e1\u0159en\u00ed \u0161irok\u00fdch \u0161k\u00e1l hladk\u00fdch a hrub\u00fdch textur v r\u00e1mci techniky tkan\u00ed se zam\u011b\u0159en\u00edm na haptiku vn\u00edm\u00e1n\u00ed. Projekt odhaluje vz\u00e1jemnou z\u00e1vislost slo\u017eek haptick\u00e9ho vn\u00edm\u00e1n\u00ed ve vztahu k interakci s textiln\u00edmi p\u0159edm\u011bty. Tvar, m\u011b\u0159\u00edtko a vzor vedou interakce a pohyby rukou a barva l\u00e1k\u00e1 u\u017eivatele, aby se k objekt\u016fm p\u0159ibl\u00ed\u017eil nebo je informuje o o\u010dek\u00e1van\u00fdch hmatov\u00fdch vjemech. <\/p>\n<\/div><\/div>\n\n\n\n

\n
\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n<\/figure>\n<\/div><\/div>\n\n\n\n
<\/div>\n\n\n\n
\n

communication design <\/h3>\n<\/div><\/div>\n\n\n\n
\n

Kategorie zahrnuje design grafiky a ilustrace, nov\u00e1 m\u00e9dia, vizu\u00e1ln\u00ed komunikace a intermedia, webov\u00e9 animace a dal\u0161\u00ed…<\/p>\n<\/div><\/div>\n\n\n\n

\n

Porotci Communication design:<\/strong> VASJEN KATRO, JOHANNA HAMMER a KAROL\u00cdNA KRUPI\u010cKOV\u00c1<\/p>\n<\/div><\/div>\n\n\n\n

\n

ADRI\u00c1N GUBRICA \u2013 MARIUPOL DIGITAL MEMORIAL<\/h4>\n<\/div><\/div>\n\n\n\n
\n

Dne 24. 2. 2022 za\u010dali p\u0159ich\u00e1zet o \u017eivot nevinn\u00ed lid\u00e9 ve m\u011bst\u011b Mariupol, kter\u00e9 za\u010dala bombardovat rusk\u00e1 arm\u00e1da. Projekt Digit\u00e1ln\u00ed pam\u00e1tn\u00edk Mariupol si klade za c\u00edl tyto p\u0159\u00edb\u011bhy naj\u00edt, uchovat a jejich formou znovu vyn\u00e9st na sv\u011btlo d\u011bsiv\u00e9 dopady v\u00e1lky na oby\u010dejn\u00e9 lidi. Z\u00e1rove\u0148 se sna\u017e\u00ed vytvo\u0159it alternativn\u00ed pam\u00e1tn\u00edk ob\u011btem, kter\u00fd v dob\u011b realizace nelze fyzicky vytvo\u0159it v samotn\u00e9m m\u011bst\u011b a pravd\u011bpodobn\u011b to b\u011bhem rusk\u00e9 okupace ani nebude mo\u017en\u00e9. Samotn\u00fd projekt je interaktivn\u00edm webov\u00fdm z\u00e1\u017eitkem, v n\u011bm\u017e se u\u017eivatel ocit\u00e1 v surrealistick\u00e9m Mariupolu, kde formou l\u00e9taj\u00edc\u00edho sv\u011btla ovl\u00e1dan\u00e9ho my\u0161\u00ed vyhled\u00e1v\u00e1 jednotliv\u00e9 p\u0159\u00edb\u011bhy, kter\u00e9 jsou n\u00e1hodn\u011b um\u00edst\u011bny mezi nahromad\u011bnou, nikdy nekon\u010d\u00edc\u00ed z\u00e1stavbou zni\u010den\u00fdch budov.<\/p>\n<\/div><\/div>\n\n\n\n

\n
\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n<\/figure>\n<\/div><\/div>\n\n\n\n
<\/div>\n\n\n\n
\n

JULIE D\u00cdT\u011aTOV\u00c1 \u2013 PROGRAMMING PATTERNS<\/h4>\n<\/div><\/div>\n\n\n\n
\n

Projekt Programming Patterns je experimentem, kter\u00fd vyu\u017e\u00edv\u00e1 neuronovou s\u00ed\u0165 StyleGAN 2 ke generov\u00e1n\u00ed vizu\u00e1ln\u00edch dat, jejich\u017e tvaroslov\u00ed se odv\u00edj\u00ed od re\u00e1ln\u00fdch motiv\u016f c\u00edrkevn\u00edch tkanin z 18. stolet\u00ed. Tyto tkaniny poch\u00e1z\u00ed z nov\u011b vznikaj\u00edc\u00edho online archivu, na kter\u00e9m autorka spolupracuje. Projekt zapo\u010dal statick\u00fdm a hmatateln\u00fdm archivem c\u00edrkevn\u00edch tkanin a vy\u00fastil v syst\u00e9m schopn\u00fd v relativn\u011b kr\u00e1tk\u00e9m \u010dase generovat nespo\u010detn\u00e9 mno\u017estv\u00ed (miliardy) origin\u00e1ln\u00edch virtu\u00e1ln\u00edch vzor\u016f.<\/p>\n<\/div><\/div>\n\n\n\n

\n
\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n<\/figure>\n<\/div><\/div>\n\n\n\n
<\/div>\n\n\n\n
\n

TIM STANGE, FABIAN MEYER \u2013 DORTMUND, HAMBURG- EIN INTERVIEW UND AUSTAUSCH MIT BUREAU JOHANNES ERLER <\/h4>\n<\/div><\/div>\n\n\n\n
\n

Kniha je rozd\u011blena do dvou \u010d\u00e1st\u00ed. Prvn\u00ed \u010d\u00e1st knihy obsahuje rozs\u00e1hl\u00fd rozhovor s n\u011bmeck\u00fdm design\u00e9rem Johannesem Erlerem. Druh\u00e1 \u010d\u00e1st pak p\u0159edstavuje p\u0159\u00edpadovou studii jednoho z jeho projekt\u016f corporate designu. P\u0159\u00edpadov\u00e1 studie ukazuje v\u0161echny r\u016fzn\u00e9 prvky, jako jsou varianty loga, plak\u00e1tov\u00e9 kampan\u011b a nov\u00fd web. D\u00e1le vyvinuli syst\u00e9m zalo\u017een\u00fd na barevn\u00fdch str\u00e1nk\u00e1ch v r\u016fzn\u00fdch velikostech. Tyto str\u00e1nky obsahuj\u00ed dal\u0161\u00ed informace o prvc\u00edch korpor\u00e1tn\u00edho designu a tak\u00e9 cit\u00e1ty od Johannese. Funguj\u00ed tak\u00e9 jako odd\u011blova\u010de kapitol mezi r\u016fzn\u00fdmi \u010d\u00e1stmi zna\u010dky.<\/p>\n<\/div><\/div>\n\n\n\n

\n
\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n<\/figure>\n<\/div><\/div>\n\n\n\n
<\/div>\n\n\n\n
\n

FASHION DESIGN<\/h3>\n<\/div><\/div>\n\n\n\n
\n

Kategorie zahrnuje design od\u011bvu, design textiln\u00ed tvorby, design obuvi a galanterie, design \u0161perk\u016f a dal\u0161\u00ed…<\/p>\n<\/div><\/div>\n\n\n\n

\n

Porotci Fashion design: <\/strong>KAROL\u00cdNA \u010cECHOV\u00c1, BRANKO POPOVIC<\/p>\n<\/div><\/div>\n\n\n\n

\n

JANA VATERKOV\u00c1 \u2013 INTERSECTING<\/h4>\n<\/div><\/div>\n\n\n\n
\n

V um\u011bleck\u00e9m v\u00fdzkumu se pozornost soust\u0159ed\u00ed na u\u017eitn\u00fd p\u0159edm\u011bt jako n\u00e1stroj, kter\u00fd je ur\u010den\u00fd k (po)u\u017eit\u00ed. Zkoum\u00e1 n\u011bkolik f\u00faz\u00ed designu v r\u00e1mci textiln\u00ed tvorby od modernismu po sou\u010dasnost, kter\u00e9 maj\u00ed dopad na spole\u010dnost p\u0159i vytv\u00e1\u0159en\u00ed osobn\u00edho a kulturn\u00edho narativu. Fascinuje m\u011b digit\u00e1ln\u00ed \u0159emeslo, kter\u00e9 poh\u00e1n\u00ed z\u00e1klady tradi\u010dn\u00edho, a m\u00fdm z\u00e1m\u011brem je, aby do\u0161lo k f\u00fazi origin\u00e1ln\u00edho designu s vyu\u017eit\u00edm princip\u016f digit\u00e1ln\u00ed technologie \u2013 spojen\u00ed tradi\u010dn\u00edho \u0159emesla se sou\u010dasn\u00fdm. Sna\u017e\u00ed se objasnit my\u0161lenku projektu, a to pojem \u201ecelistvosti“ v designu. Pod touto formulac\u00ed chce Jana pouk\u00e1zat na design jako na otev\u0159enou lidskou z\u00e1le\u017eitost a z\u00e1jem o kvalitu \u010di v\u00fdb\u011br p\u0159edm\u011btu.<\/p>\n<\/div><\/div>\n\n\n\n

\n
\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n<\/figure>\n<\/div><\/div>\n\n\n\n
<\/div>\n\n\n\n
\n

KATAR\u00cdNA MYDLIAROV\u00c1 \u2013 MATERIALS STUDIO POP. UP VOL 2<\/h4>\n<\/div><\/div>\n\n\n\n
\n

Materials studio p\u0159in\u00e1\u0161\u00ed virtu\u00e1ln\u00ed m\u00f3dn\u00ed z\u00e1\u017eitek pro novou generaci. S t\u00edmto projektem se Katar\u00edna zam\u011b\u0159ila na roz\u0161\u00ed\u0159enou a virtu\u00e1ln\u00ed realitu a p\u0159inesla udr\u017eitelnost s technologiemi a z\u00e1bavou na jedno m\u00edsto. Proto\u017ee n\u00e1m technologie pom\u00e1haj\u00ed sni\u017eovat m\u00f3dn\u00ed stopu, studio Metarials je tu od toho, aby vzd\u011bl\u00e1valo lidi o tom, jak a kde se m\u016f\u017eou setkat s digit\u00e1ln\u00ed m\u00f3dou a jak\u00e1 jsou jej\u00ed pozitiva. V\u0161echny digit\u00e1ln\u00ed kousky no\u0161en\u00e9 ve virtu\u00e1ln\u00edm sv\u011bt\u011b jsme p\u0159enesli do fyzick\u00fdch kus\u016f a n\u00e1v\u0161t\u011bvn\u00edci si je mohli vyzkou\u0161et a porovnat, jak digit\u00e1ln\u00ed oble\u010den\u00ed reaguj\u00ed ve srovn\u00e1n\u00ed s re\u00e1ln\u00fdm oble\u010den\u00edm. Samotn\u00e1 kolekce je inspirov\u00e1na dystopick\u00fdm sv\u011btem dun a rezidentn\u00edho zla ovlivn\u011bn\u00e9ho k\u0159es\u0165anskou c\u00edrkv\u00ed. Ka\u017ed\u00fd od\u011bv je vyroben pro ka\u017edou postavu v na\u0161em vymy\u0161len\u00e9m sv\u011bt\u011b, kde je v\u0161echno mo\u017en\u00e9.<\/p>\n<\/div><\/div>\n\n\n\n

\n
\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n<\/figure>\n<\/div><\/div>\n\n\n\n
<\/div>\n\n\n\n
\n

MARIJA PETRAITYTE \u2013 COLLECTION DISTANCE FROM A POINT <\/h4>\n<\/div><\/div>\n\n\n\n
\n

Objeven\u00ed charakteristick\u00e9ho stylu nebo individualistick\u00e9ho p\u0159\u00edstupu v\u00e1m umo\u017en\u00ed c\u00edtit se siln\u011bj\u0161\u00ed v konkuren\u010dn\u00edm m\u00f3dn\u00edm pr\u016fmyslu. V\u00fdzkum ukazuje, \u017ee n\u00e1vrhy, ve kter\u00fdch dominuje interakce pru\u017en\u00fdch lini\u00ed a tvar\u016f jsou vn\u00edm\u00e1ny jako \u017eiv\u00fd objekt. Fin\u00e1ln\u00ed kolekce DISTANCE FROM A POINTm\u00e1 za vlastnost p\u0159irozenost, organi\u010dnost, dekonstrukci identifikovanou v sebeanal\u00fdze kreativity v\u00fdzkumn\u00e9 pr\u00e1ce, integrovan\u00e9 historick\u00e9 detaily, jako je \u0161n\u011brov\u00e1n\u00ed, archai\u010dnost a viditelnou prom\u011bnu. Kolorit je udr\u017eov\u00e1n v odst\u00ednech tmav\u00fdch a tepl\u00fdch zemit\u00fdch t\u00f3n\u016f. Kolekce balancuje mezi avantgardn\u00ed a nositelnou m\u00f3dou.  Tato kolekce od\u011bv\u016f je vytvo\u0159ena tak, aby byla vysoce kvalitn\u00ed, poutav\u00e1 a tak\u00e9 nositeln\u00e1 \u2013 d\u00edky tomu budou n\u00e1vrhy udr\u017eiteln\u011bj\u0161\u00ed a budou m\u00edt vy\u0161\u0161\u00ed hodnotu.<\/p>\n<\/div><\/div>\n\n\n\n

\n
\"\"<\/figure><\/div><\/div><\/div>\n\n\n\n

Service design<\/h3>\n\n\n\n

Kategorie zahrnuje komplexn\u00ed n\u00e1vrhy proces\u016f, technologi\u00ed a interakc\u00ed, kter\u00e9 \u0159\u00edd\u00ed poskytov\u00e1n\u00ed slu\u017eeb<\/p>\n\n\n\n

Porotci Service design: BORI FEH\u00c9R, LADISLAVA ZBIEJCZUK<\/p>\n\n\n\n

ALINA KARL \u2013 ALLY<\/h4>\n\n\n\n
\n

P\u0159edstavte si, \u017ee je v\u00e1m 75 let. Va\u0161e t\u011blo a vn\u00edm\u00e1n\u00ed se posunulo a vy pravd\u011bpodobn\u011b budete vn\u00edmat produkty a slu\u017eby jinak. V pozd\u011bj\u0161\u00edm \u017eivot\u011b se to dotkne n\u00e1s v\u0161ech. Jak m\u016f\u017eeme vyhnout se ageismu a designu bez zaujatosti? ally je p\u0159\u00edstupn\u00e1 aplikace, kter\u00e1 umo\u017e\u0148uje senior\u016fm ukl\u00e1dat akce, kter\u00e9 \u010dasto pou\u017e\u00edvaj\u00ed na \u0161est r\u016fzn\u00e9 zna\u010dky NFC. Produkt umo\u017e\u0148uje senior\u016fm samostatn\u011b \u0159e\u0161it obt\u00ed\u017ee souvisej\u00edc\u00ed s v\u011bkem v jejich ka\u017edodenn\u00edm \u017eivot\u011b nastaven\u00edm zna\u010dek a jejich vyvol\u00e1n\u00edm, kdy\u017e za\u017eij\u00ed omezen\u00ed. Mohou se tak autonomn\u011b rozhodnout, jak a kdy pot\u0159ebuj\u00ed podporu.<\/p>\n<\/div><\/div>\n\n\n\n

\n
\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n<\/figure>\n<\/div><\/div>\n\n\n\n
\n

MAT\u011aJ MALECHA \u2013 KOMPAS UDR\u017dITELN\u00c9HO PODNIK\u00c1N\u00cd<\/h4>\n<\/div><\/div>\n\n\n\n
\n

Firma, ve kter\u00e9 Mat\u011bj pracuje, se u\u017e n\u011bkolik let orientuje na t\u00e9ma udr\u017eitelnosti. Naprosto z\u00e1sadn\u00ed je pro n\u011b koncept Doughnut Economics, kter\u00fd ukazuje, \u017ee hlavn\u00ed v\u00fdzvou udr\u017eitelnosti je nach\u00e1zet cesty, jak v\u0161em lidem na planet\u011b zajistit d\u016fstojn\u00fd \u017eivot zp\u016fsobem, kter\u00fd nepovede k p\u0159ekra\u010dov\u00e1n\u00ed ekologick\u00e9ho stropu. Pracovat s t\u00edmto glob\u00e1ln\u00ed modelem v kontextu designov\u00e9ho studia nicm\u00e9n\u011b ale moc nejde. Mat\u011bj s Filipem si dali za \u00fakol naj\u00edt zp\u016fsob, jak model upravit tak, aby se s n\u00edm dalo pracovat na klientsk\u00fdch projektech. Do tvorby se tak\u00e9 sna\u017eili zapojit dobrovoln\u00edky, hlavn\u011b z \u0159ad design\u00e9r\u016f*ek a expert\u016f*ek specializovan\u00fdch na udr\u017eitelnost. <\/p>\n<\/div><\/div>\n\n\n\n

\n
\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n<\/figure>\n<\/div><\/div>\n\n\n\n
\n

TEREZA VA\u0160KOV\u00c1 \u2013 thyU APLIKACE<\/h4>\n<\/div><\/div>\n\n\n\n
\n

Tereza p\u0159i\u0161la s n\u00e1vrhem e-health mobiln\u00ed aplikace, kter\u00e1 vznikla v roce 2022 po uv\u011bdom\u011bn\u00ed si, \u017ee 1 z 8 \u017een trp\u00ed onemocn\u011bn\u00edm \u0161t\u00edtn\u00e9 \u017el\u00e1zy. Ona je sama jedna z nich. P\u0159esto\u017ee existuje spoustu aplikac\u00ed na monitoring zdrav\u00ed a well-being, nen\u00ed v \u010cesku \u017e\u00e1dn\u00e1 aplikace \u010di platformu pro osoby diagnostikovan\u00e9 dysfunkc\u00ed \u0161t\u00edtn\u00e9 \u017el\u00e1zy. A to je na \u010dase zm\u011bnit. Skrz aplikaci m\u016f\u017ee u\u017eivatel p\u0159ehledn\u011bji monitorovat sv\u00e9 u\u017e\u00edv\u00e1n\u00ed l\u00e9k\u016f, trackovat svoje symptomy a sledovat jejich v\u00fdvoj v \u010dase \u2013 d\u00edky tomu pak m\u016f\u017ee l\u00e9pe konzultovat sv\u016fj stav se sv\u00fdm endokrinologem a ch\u00e1pat sv\u00e9 t\u011blo. Hlavn\u00ed c\u00edl aplikace je nastartovat digitalizaci krevn\u00edch v\u00fdsledk\u016f a archivaci v telefonn\u00edch za\u0159\u00edzen\u00edch. <\/p>\n<\/div><\/div>\n\n\n\n

\n

Logo aplikace thyU je inspirov\u00e1no tvarem samotn\u00e9ho org\u00e1nu \u0161t\u00edtn\u00e9 \u017el\u00e1zy, ale tak\u00e9 mot\u00fdlem \u2013 aby se nemocn\u00ed mohli c\u00edtit b\u011bhem sv\u00e9 l\u00e9\u010dby svobodn\u011bji. <\/p>\n<\/div><\/div>\n\n\n\n

\n
\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n<\/figure>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"Best in Design je mezin\u00e1rodn\u00ed sout\u011b\u017e pro jednotlivce nebo kolektivy ve v\u011bku do 30 let. Ve h\u0159e jsou nejen finan\u010dn\u00ed odm\u011bny od 200 do 1 500 […]","protected":false},"author":41,"featured_media":19606,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"class_list":["post-19598","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog"],"acf":[],"_links":{"self":[{"href":"https:\/\/zlindesignweek.com\/2026\/wp-json\/wp\/v2\/posts\/19598","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zlindesignweek.com\/2026\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/zlindesignweek.com\/2026\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/zlindesignweek.com\/2026\/wp-json\/wp\/v2\/users\/41"}],"replies":[{"embeddable":true,"href":"https:\/\/zlindesignweek.com\/2026\/wp-json\/wp\/v2\/comments?post=19598"}],"version-history":[{"count":17,"href":"https:\/\/zlindesignweek.com\/2026\/wp-json\/wp\/v2\/posts\/19598\/revisions"}],"predecessor-version":[{"id":19692,"href":"https:\/\/zlindesignweek.com\/2026\/wp-json\/wp\/v2\/posts\/19598\/revisions\/19692"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/zlindesignweek.com\/2026\/wp-json\/wp\/v2\/media\/19606"}],"wp:attachment":[{"href":"https:\/\/zlindesignweek.com\/2026\/wp-json\/wp\/v2\/media?parent=19598"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/zlindesignweek.com\/2026\/wp-json\/wp\/v2\/categories?post=19598"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}