{"id":16609,"date":"2022-12-14T20:03:41","date_gmt":"2022-12-14T19:03:41","guid":{"rendered":"https:\/\/zlindesignweek.com\/2024\/?p=16609"},"modified":"2022-12-18T22:07:07","modified_gmt":"2022-12-18T21:07:07","slug":"vitezne-prace-finalistu-souteze-best-in-design-2022-miri-na-showroom-salonka-do-bratislavy","status":"publish","type":"post","link":"https:\/\/zlindesignweek.com\/2026\/2022\/12\/14\/vitezne-prace-finalistu-souteze-best-in-design-2022-miri-na-showroom-salonka-do-bratislavy\/","title":{"rendered":"V\u00edt\u011bzn\u00e9 pr\u00e1ce finalist\u016f sout\u011b\u017ee Best in Design 2022 m\u00ed\u0159\u00ed na showroom Salonka do Bratislavy"},"content":{"rendered":"\n
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Zlin Design Week se stal partnerem  mezin\u00e1rodn\u00edho projektu Salonka 2022 – the Visegrad feature, kter\u00fd v prosinci v Bratislav\u011b p\u0159edstav\u00ed formou showroomu v\u00fdb\u011br design\u00e9r\u016f z \u010cR, Polska, Slovenska a Ma\u010farska<\/strong>. Showroom \u010desk\u00fdch design\u00e9r\u016f, mezi kter\u00fdmi se objev\u00ed i finalist\u00e9 mezin\u00e1rodn\u00ed sout\u011b\u017ee Best in Design 2022, prob\u011bhne od 17. do 21. prosince.<\/strong><\/p>\n<\/div><\/div>\n\n\n\n

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Salonka je sal\u00f3n lok\u00e1ln\u00edho um\u011bn\u00ed, dizajnu, knih a dobrot, kter\u00fd se nach\u00e1z\u00ed ve Star\u00e9 tr\u017enici. Pod jednou st\u0159echou budou m\u00edt n\u00e1v\u0161t\u011bvn\u00edci ve vybran\u00fdch dnech, od 7. prosince do 21. prosince mo\u017enost zakoupit origin\u00e1ln\u00ed d\u00e1rky pro sv\u00e9 bl\u00edzk\u00e9, a z\u00e1rove\u0148 tak sv\u00fdm n\u00e1kupem podpo\u0159it lok\u00e1ln\u00ed zna\u010dky, a\u0165 u\u017e mal\u00e9 \u010di velk\u00e9, vydavatelstv\u00ed, \u0159emesln\u00e9 v\u00fdrobce potravin a um\u011blce. V prostoru se po \u010das trv\u00e1n\u00ed trh\u016f vyst\u0159\u00edd\u00e1 v\u00edce ne\u017e 300 prodejc\u016f.<\/p>\n<\/div><\/div>\n\n\n\n

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\u010cesk\u00fd showroom prob\u011bhne konkr\u00e9tn\u011b v term\u00ednu 17.- 21. 12. 2022, kdy budou p\u0159edstaveny pr\u00e1ce \u010desk\u00fdch finalist\u016f sout\u011b\u017ee Best in Design 2022<\/a>, pod\u00edvat se na n\u011b m\u016f\u017ee\u0161 i Ty. <\/strong>Sout\u011b\u017e Best in Design je po\u0159\u00e1d\u00e1na v r\u00e1mci festivalu Zlin Design Week, kter\u00fd vznik\u00e1 pod z\u00e1\u0161titou Fakulty multimedi\u00e1ln\u00edch komunikac\u00ed Univerzity Tom\u00e1\u0161e Bati<\/a>. Pokud jsi o finalistech sout\u011b\u017ee Best in Design 2022 je\u0161t\u011b nesly\u0161el, poj\u010fme si je a jejich pr\u00e1ce znovu p\u0159ipomenout.<\/p>\n<\/div><\/div>\n\n\n\n

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Petra Kmo\u0161\u0165\u00e1lkov\u00e1<\/strong><\/h3>\n<\/div><\/div>\n\n\n\n
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Petra Kmo\u0161\u0165\u00e1lkov\u00e1<\/strong> navrhla sadu porcel\u00e1nov\u00fdch tal\u00ed\u0159\u016f Hettie <\/strong>pro lidi s nejr\u016fzn\u011bj\u0161\u00edmi handicapy a specifick\u00fdmi pot\u0159ebami vy\u017eaduj\u00edc\u00ed individu\u00e1ln\u00ed p\u0159\u00edstup a speci\u00e1ln\u00ed pom\u016fcky. Porcel\u00e1nov\u00e9 tal\u00ed\u0159e se vymykaj\u00ed stereotypu nevkusn\u00fdch plastov\u00fdch a vizu\u00e1ln\u011b zanedban\u00fdch pom\u016fcek a p\u0159in\u00e1\u0161\u00ed tak mo\u017enost d\u016fstojn\u00e9ho stolov\u00e1n\u00ed. V sout\u011b\u017ei Best in Design z\u00edskala 3. m\u00edsto v kategorii Product & Industrial Design.<\/strong><\/p>\n<\/div><\/div>\n\n\n\n

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Karla Gondekov\u00e1 & Karol\u00edna Matu\u0161kov\u00e1<\/strong> <\/h3>\n<\/div><\/div>\n\n\n\n
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Autorky, je\u017e jste mohli sly\u0161et nejen Brn\u011b na Design KANT\u00ddNA delivery a pokud m\u00e1te d\u011bti, je mo\u017en\u00e9, \u017ee V\u00e1m jejich pr\u00e1ce pro\u0161la p\u0159\u00edmo pod rukama. Karla Gondekov\u00e1 & Karol\u00edna Matu\u0161kov\u00e1<\/strong> spole\u010dn\u011b vytvo\u0159ily webovou platformu Listovatel<\/strong>, kter\u00e1 distribuuje pracovn\u00ed listy pro d\u011bti od 7 do 11 let, d\u00e1v\u00e1 prostor pro vlastn\u00ed n\u00e1zor a rozv\u00edj\u00ed kreativitu, kter\u00e1 nen\u00ed omezena dan\u00fdm vizu\u00e1ln\u00edm prost\u0159ed\u00edm digit\u00e1ln\u00edho sv\u011bta. Autorky z\u00edskali nejen 1. m\u00edsto v kategorii Communication Design, ale staly se i absolutn\u00edm v\u00edt\u011bzem sout\u011b\u017ee<\/strong>.<\/p>\n<\/div><\/div>\n\n\n\n

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Johana Kasalick\u00e1, Mark\u00e9ta Va\u0161\u00ed\u010dkov\u00e1, Karol\u00edna Krupi\u010dkov\u00e1, Johanna Hammer, Veronika Soukupov\u00e1<\/strong><\/h3>\n<\/div><\/div>\n\n\n\n
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Johana Kasalick\u00e1, Mark\u00e9ta Va\u0161\u00ed\u010dkov\u00e1, Karol\u00edna Krupi\u010dkov\u00e1, Johanna Hammer, Veronika Soukupov\u00e1<\/strong> vytvo\u0159ily spole\u010dn\u011b publikaci Novy Zine<\/strong>, kter\u00e1 slou\u017e\u00ed jako platforma pro prezentaci a vyj\u00e1d\u0159en\u00ed progresivn\u00edch autor\u016f a um\u011blc\u016f. Spojuje kulturn\u011b sm\u00fd\u0161lej\u00edc\u00ed liber\u00e1ln\u00ed spole\u010dnost, nez\u00e1visle na komer\u010dn\u00edch c\u00edlech. Novy Zine je oslavou \u010desk\u00e9 kultury, um\u011bn\u00ed, m\u00f3dy a designu, kter\u00fdm d\u00e1v\u00e1 mezin\u00e1rodn\u00ed rozm\u011br, s inkluzivn\u00edm a rozmanit\u00fdm obsahem. T\u00e9mata publikace p\u0159esahuj\u00ed do soci\u00e1ln\u011b-politick\u00e9 problematiky a sna\u017e\u00ed se tak \u010dten\u00e1\u0159e p\u0159iv\u00e9st k zamy\u0161len\u00ed a vnit\u0159n\u00ed diskusi. Publikace je designov\u00e1na tak, aby p\u0159inesla \u010dten\u00e1\u0159\u016fm unik\u00e1tn\u00ed z\u00e1\u017eitek z ti\u0161t\u011bn\u00e9 i digit\u00e1ln\u00ed formy: implementuje digit\u00e1ln\u00ed vrstvu AR, d\u00edky n\u00ed\u017e m\u016f\u017ee \u010dten\u00e1\u0159 vid\u011bt navazujic\u00ed digit\u00e1ln\u00ed obsah. Z\u00edskaly<\/strong> 2. m\u00edsto v kategorii Communication Design.<\/strong><\/p>\n<\/div><\/div>\n\n\n\n

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Milan Florian Fl\u00ed\u010dek<\/strong><\/h3>\n<\/div><\/div>\n\n\n\n
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Milan Florian Fl\u00ed\u010dek<\/strong> vytvo\u0159il kolekci F*cking Stop Burning Clothes <\/strong> inspirovanou studentem Janem Palachem, kter\u00fd se 16. ledna 1969 up\u00e1lil na protest proti potla\u010dov\u00e1n\u00ed svobod. Ve 21. stolet\u00ed m\u00f3dn\u00ed pr\u016fmysl celosv\u011btov\u011b p\u00e1l\u00ed 94 milion\u016f tun oble\u010den\u00ed ro\u010dn\u011b. Kolekce slou\u017e\u00ed jako prvn\u00ed aktivistick\u00fd \u010din, vyz\u00fdv\u00e1 ke zm\u011bn\u011b a zvy\u0161uje pov\u011bdom\u00ed o dan\u00e9 situaci. Pro\u010d v\u016fbec mluv\u00edme o udr\u017eitelnosti, kdy\u017e se od\u011bvy, l\u00e1tky (i ty, kter\u00e9 byly \u201eudr\u017eiteln\u011b vyrobeny“), p\u00e1l\u00ed po milionech tun? L\u00e1tky z \u201edeadstocku“ jsou upraven\u00e9 technikou \u201eFire-Piping\u201c, kter\u00e1 vytv\u00e1\u0159\u00ed dojem ohn\u011b. Upcykla\u010dn\u00ed technikou nab\u00edz\u00ed autor \u0159e\u0161en\u00ed, jak p\u0159edej\u00edt p\u00e1len\u00ed oble\u010den\u00ed, a t\u00edm ukon\u010dit jeho nadprodukci. Z\u00edskal 1. m\u00edsto v kategorii Fashion Design. <\/strong><\/p>\n<\/div><\/div>\n\n\n\n

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v\u00e1clav \u010dern\u00fd<\/h3>\n<\/div><\/div>\n\n\n\n
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Jak u\u017e n\u00e1zev kolekce napov\u00edd\u00e1, kolekce IDENTITA<\/strong> V\u00e1clava \u010cern\u00e9ho<\/strong> vznikla autorov\u00fdm zkoum\u00e1n\u00edm vlastn\u00ed identity, ze kter\u00e9 vych\u00e1z\u00ed tvaroslov\u00ed a barevnost od\u011bvn\u00edch objekt\u016f. Kolekce pln\u00e1 v\u00fdrazn\u00fdch barev a neo\u010dek\u00e1van\u00fdch tvar\u016f vyu\u017e\u00edv\u00e1 unik\u00e1tn\u00ed materi\u00e1l \u2013 autorsky zpracovan\u00e9 pleteniny zhotoven\u00e9 na ru\u010dn\u00edm pletac\u00edm stroji Dopleta. Z\u00edskal 2. m\u00edsto v kategorii Fashion Design.<\/strong><\/p>\n<\/div><\/div>\n\n\n\n

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krist\u00fdna lovasov\u00e1<\/h3>\n<\/div><\/div>\n\n\n\n
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Zam\u00fd\u0161leli jste se n\u011bkdy nad sebeprezentac\u00ed na soci\u00e1ln\u00edch s\u00edt\u00edch? V\u0161imli jste si, \u017ee v\u011bt\u0161ina lid\u00ed ukazuje na odiv pouze svou p\u0159edn\u00ed \u010d\u00e1st t\u011bla, jako by ta zadn\u00ed v\u016fbec neexistovala? Nad t\u00edmto fenom\u00e9nem se ve sv\u00e9 kolekci Textile Manifestoes, Fake perfection<\/strong> zam\u00fd\u0161l\u00ed Krist\u00fdna Lovasov\u00e1<\/strong>. Inspirac\u00ed j\u00ed byla vlastn\u00ed selfie: zam\u00fd\u0161len\u00e9 reprezentativn\u00ed pod\u00e1n\u00ed bylo po nahr\u00e1n\u00ed rozrastrovan\u00e9. To autorku p\u0159ivedlo k ot\u00e1zce, pro\u010d se v\u0161ichni sna\u017e\u00edme o naprostou dokonalost a nep\u0159izn\u00e1me sv\u00e9 chyby, kdy\u017e ani my, ani technika dokonal\u00e9 nejsme? My\u0161lenku transformuje nejen grafick\u00fdm zpracov\u00e1n\u00edm Kry\u0161tofa Nov\u00e1ka, ale tak\u00e9 od\u011bvem samotn\u00fdm. Z\u00edskala 3. m\u00edsto v kategorii Fashion Design.<\/strong><\/p>\n\n\n\n

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krist\u00fdna mikol\u00e1\u0161kov\u00e1 & tereza drobn\u00e1<\/h3>\n<\/div><\/div>\n\n\n\n
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Krist\u00fdna Mikol\u00e1\u0161kov\u00e1 & Tereza Drobn\u00e1<\/strong> dostaly b\u011bhem pandemie COVID-19 n\u00e1pad vytvo\u0159it kolekci bytov\u00fdch dopl\u0148k\u016f Scene Collection.<\/strong> Pocit izolace a vyho\u0159en\u00ed p\u0159im\u011bl autorky hledat \u00fanik z reality a vytvo\u0159it si vlastn\u00ed prost\u0159ed\u00ed, m\u00edsto, kde by se c\u00edtily dob\u0159e. Kolekce stolk\u016f, sklen\u011bn\u00fdch v\u00e1z, stojan\u016f na knihy a misek odkazuje na architektonick\u00e9 fragmenty nebo sc\u00e9nografick\u00e9 kulisy. To umo\u017e\u0148uje vytv\u00e1\u0159et rozmanit\u00e9 kompozice, reaguj\u00edc\u00ed na pot\u0159eby a fantazii u\u017eivatele. Cel\u00e1 kolekce se nese v duchu jasn\u00fdch barev, kter\u00e9 jsou z\u00e1m\u011brn\u011b zvoleny tak, aby evokovaly radost a \u0161t\u011bst\u00ed \u2013 emoce, kter\u00e9 v\u0161em b\u011bhem lockdownu tak zoufale chyb\u011bly. Z\u00edskaly cenu Media Award.<\/strong><\/p>\n<\/div><\/div>\n\n\n\n

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Podrobn\u00fd program a informace k Salonce 2022 nalezne\u0161 na jejich webu<\/a>.<\/p>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"Zlin Design Week se stal partnerem  mezin\u00e1rodn\u00edho projektu Salonka 2022 – the Visegrad feature, kter\u00fd v prosinci v Bratislav\u011b p\u0159edstav\u00ed formou showroomu v\u00fdb\u011br design\u00e9r\u016f z \u010cR, Polska, Slovenska […]","protected":false},"author":40,"featured_media":16630,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"class_list":["post-16609","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog"],"acf":[],"_links":{"self":[{"href":"https:\/\/zlindesignweek.com\/2026\/wp-json\/wp\/v2\/posts\/16609","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zlindesignweek.com\/2026\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/zlindesignweek.com\/2026\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/zlindesignweek.com\/2026\/wp-json\/wp\/v2\/users\/40"}],"replies":[{"embeddable":true,"href":"https:\/\/zlindesignweek.com\/2026\/wp-json\/wp\/v2\/comments?post=16609"}],"version-history":[{"count":12,"href":"https:\/\/zlindesignweek.com\/2026\/wp-json\/wp\/v2\/posts\/16609\/revisions"}],"predecessor-version":[{"id":16667,"href":"https:\/\/zlindesignweek.com\/2026\/wp-json\/wp\/v2\/posts\/16609\/revisions\/16667"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/zlindesignweek.com\/2026\/wp-json\/wp\/v2\/media\/16630"}],"wp:attachment":[{"href":"https:\/\/zlindesignweek.com\/2026\/wp-json\/wp\/v2\/media?parent=16609"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/zlindesignweek.com\/2026\/wp-json\/wp\/v2\/categories?post=16609"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}