{"id":34264,"date":"2025-04-19T21:20:46","date_gmt":"2025-04-19T19:20:46","guid":{"rendered":"https:\/\/zlindesignweek.com\/2026\/?page_id=34264"},"modified":"2025-05-07T23:10:53","modified_gmt":"2025-05-07T21:10:53","slug":"nishchaia-anastasiia-portfolio","status":"publish","type":"page","link":"https:\/\/zlindesignweek.com\/2026\/nishchaia-anastasiia-portfolio\/","title":{"rendered":"Nishchaia Anastasiia – portfolio"},"content":{"rendered":"\n
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Kolekce Zjeven\u00ed je osobn\u00ed poctou drah\u00e9mu \u010dlov\u011bku a oslavou s\u00edly vzpom\u00ednek. Vyjad\u0159uje my\u0161lenku, \u017ee ztr\u00e1ta je sou\u010d\u00e1st\u00ed \u017eivota, ale sv\u011btl\u00e9 vzpom\u00ednky n\u00e1m pom\u00e1haj\u00ed j\u00edt d\u00e1l. Design\u00e9rka v\u011bnovala tuto kolekci pam\u00e1tce sv\u00e9 babi\u010dky Emilie. Prost\u0159ednictv\u00edm m\u00f3dy zachycuje emoce, kter\u00e9 slovy vyj\u00e1d\u0159it nelze.<\/p>\n\n\n\n

Hlavn\u00edm materi\u00e1lem kolekce je tyl \u2014 symbol nah\u00e9 du\u0161e. Jeho jemnost a pr\u016fsvitnost vystihuj\u00ed k\u0159ehkost, zranitelnost i up\u0159\u00edmnost. Ka\u017ed\u00fd z\u00e1hyb l\u00e1tky reprezentuje cestu od bolesti ke sm\u00ed\u0159en\u00ed. Dekorativn\u00ed prvky jako kam\u00ednky, perly a sklen\u011bn\u00e9 kor\u00e1lky symbolizuj\u00ed vnit\u0159n\u00ed sv\u011btlo a l\u00e1sku, kter\u00e1 p\u0159etrv\u00e1v\u00e1 i po ztr\u00e1t\u011b.<\/p>\n\n\n\n

Kolekce zprost\u0159edkov\u00e1v\u00e1 emoce ztr\u00e1ty, nepochopen\u00ed, smutku i touhy, ale z\u00e1rove\u0148 p\u0159ipom\u00edn\u00e1, \u017ee i v t\u011bch nejtemn\u011bj\u0161\u00edch chv\u00edl\u00edch v n\u00e1s z\u016fst\u00e1v\u00e1 m\u00edsto pro radost, nad\u011bji a nov\u00e9 za\u010d\u00e1tky. Barevn\u00e1 paleta kombinuje tmav\u00e9 i sv\u011btl\u00e9 t\u00f3ny, reflektuj\u00edc\u00ed prom\u011bnlivou \u0161k\u00e1lu emoc\u00ed. Pokr\u00fdvky hlavy p\u0159ipom\u00ednaj\u00edc\u00ed trnovou korunu a zakryt\u00e9 tv\u00e1\u0159e modelek odkazuj\u00ed na smute\u010dn\u00ed ritu\u00e1ly a symboliku rozlou\u010den\u00ed.<\/p>\n\n\n\n

Inspirace<\/strong><\/h4>\n\n\n\n

Po smrti sv\u00e9 babi\u010dky c\u00edtila design\u00e9rka silnou pot\u0159ebu vyj\u00e1d\u0159it sv\u00e9 emoce skrze um\u011bn\u00ed. Za\u010dala malovat obraz \u2013 spont\u00e1nn\u00ed a syrovou reakci na bolest a hled\u00e1n\u00ed nad\u011bje. Tento obraz (i kdy\u017e st\u00e1le nebyl dokon\u010den) se stal hlavn\u00edm inspirac\u00ed kolekce.<\/p>\n\n\n\n

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Na obraze je postava zahalen\u00e1 v \u010derven\u00fdch t\u00f3nech s jasn\u00fdm \u017elut\u00fdm sv\u011btlem v pozad\u00ed \u2014 symbol v\u00e1\u0161n\u011b a duchovn\u00edho sv\u011btla. Tento kontrast mezi smutkem a nad\u011bj\u00ed dal kolekci jej\u00ed sm\u011br. Zjeven\u00ed tak vypr\u00e1v\u00ed cestu du\u0161e od temnoty k p\u0159ijet\u00ed a ke sv\u011btlu.<\/p>\n\n\n\n

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Odpout\u00e1n\u00ed se a nov\u00e1 cesta<\/figcaption><\/figure>\n\n\n\n
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Pokus \u017e\u00edt d\u00e1l<\/figcaption><\/figure>\n\n\n\n
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Beznad\u011bj<\/figcaption><\/figure>\n\n\n\n
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Ag\u00f3nie a \u0159ev<\/figcaption><\/figure>\n\n\n\n
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Smutek a \u017eal<\/figcaption><\/figure>\n\n\n\n
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Emocion\u00e1ln\u00ed otup\u011blost<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

Emocion\u00e1ln\u00ed f\u00e1ze kolekce:<\/strong><\/h4>\n\n\n\n

Smutek a \u017eal<\/strong>
Barvy: \u010cern\u00e1 a b\u00edl\u00e1
V\u00fdznam: \u010cern\u00e1 jako univerz\u00e1ln\u00ed symbol smutku, b\u00edl\u00e1 jako \u010distota vzpom\u00ednek a v\u011b\u010dn\u00e9ho \u017eivota du\u0161e.
Materi\u00e1ly a dopl\u0148ky: Pr\u016fsvitn\u00fd tyl s kor\u00e1lky, kovov\u00e1 trnov\u00e1 koruna \u2014 symbol bolesti, utrpen\u00ed a ochrany.<\/p>\n\n\n\n


Ag\u00f3nie a hn\u011bv<\/strong>
Barvy: \u010cerven\u00e1
V\u00fdznam: Vyj\u00e1d\u0159en\u00ed vnit\u0159n\u00edho vzteku, bolesti a spaluj\u00edc\u00edch emoc\u00ed.
Materi\u00e1ly a dopl\u0148ky: \u010cerven\u00fd tyl s v\u00fd\u0161ivkou p\u0159ipom\u00ednaj\u00edc\u00ed plameny, abstraktn\u00ed kovov\u00e1 \u010delenka evokuj\u00edc\u00ed intenzitu a destrukci.<\/p>\n\n\n\n

Beznad\u011bj<\/strong>
Barvy: \u010cern\u00e1
V\u00fdznam: Naprost\u00e1 pr\u00e1zdnota a rozpad identity.
Materi\u00e1ly a dopl\u0148ky: \u010cern\u00fd tyl ru\u010dn\u011b pro\u0161it\u00fd tak, aby vznikl efekt popraskan\u00e9 struktury, kovov\u00e9 ty\u010de zakr\u00fdvaj\u00edc\u00ed tv\u00e1\u0159 \u2014 symbol vnit\u0159n\u00ed izolace.<\/p>\n\n\n\n

Pokus \u017e\u00edt d\u00e1l<\/strong>
Barvy: Kysel\u00e9 odst\u00edny zelen\u00e9, modr\u00e9 a \u010derven\u00e9
V\u00fdznam: Snaha o nalezen\u00ed radosti, i kdy\u017e radost p\u016fsob\u00ed fale\u0161n\u011b a ne\u00fapln\u011b.
Materi\u00e1ly a dopl\u0148ky: Tyl kombinovan\u00fd z recyklovan\u00fdch materi\u00e1l\u016f, kor\u00e1lky na vlasci p\u0159ipom\u00ednaj\u00edc\u00ed slzy, st\u0159epy minulosti skl\u00e1daj\u00edc\u00ed nov\u00e9 vzory.<\/p>\n\n\n\n

Emocion\u00e1ln\u00ed otup\u011blost<\/strong>
Barvy: B\u00edl\u00e1
V\u00fdznam: Vypr\u00e1zdn\u011bn\u00ed emoc\u00ed a postupn\u00e9 sm\u00ed\u0159en\u00ed.
Materi\u00e1ly a dopl\u0148ky: Pr\u016fhledn\u00fd tyl pro\u0161it\u00fd pruhy kor\u00e1lk\u016f, hlavov\u00fd kovov\u00fd prvek ve tvaru vertik\u00e1ln\u00edch ohnut\u00fdch ty\u010d\u00ed vych\u00e1zej\u00edc\u00edch z krku.<\/p>\n\n\n\n

Odpout\u00e1n\u00ed se a nov\u00e1 cesta<\/strong>
Barvy: B\u00edl\u00e1, modr\u00e1, zelen\u00e1
V\u00fdznam: P\u0159ijet\u00ed ztr\u00e1ty, v\u00edra v nov\u00fd za\u010d\u00e1tek a nad\u011bje.
Materi\u00e1ly a dopl\u0148ky: Vertik\u00e1ln\u00ed pruhy tylu p\u0159ipom\u00ednaj\u00edc\u00ed vlaj\u00edc\u00ed stuhy un\u00e1\u0161en\u00e9 v\u011btrem.<\/p>\n\n\n\n

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Skicy<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

Materi\u00e1ly<\/strong><\/h4>\n\n\n\n

Z\u00e1kladem cel\u00e9 kolekce je tyl \u2014 materi\u00e1l, kter\u00fd symbolizuje k\u0159ehkost, otev\u0159enost a \u00e9teri\u010dnost lidsk\u00e9 du\u0161e. Volba tylu nebyla jen estetick\u00e1; pr\u00e1ce s n\u00edm byla pro design\u00e9rku i osobn\u00ed v\u00fdzvou a novou zku\u0161enost\u00ed. D\u00edky vrstven\u00ed, pr\u016fsvitu a pohybu materi\u00e1lu mohla vyj\u00e1d\u0159it subtilnost vzpom\u00ednek i duchovn\u00ed rovinu cel\u00e9 kolekce.<\/p>\n\n\n\n

Dekorativn\u00ed prvky, jako jsou sklen\u011bn\u00e9 kor\u00e1lky a perly, p\u0159edstavuj\u00ed vnit\u0159n\u00ed sv\u011btlo a l\u00e1sku, kter\u00e1 v n\u00e1s i po ztr\u00e1t\u011b z\u016fst\u00e1v\u00e1.<\/p>\n\n\n\n

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Procesy<\/strong><\/h4>\n\n\n\n
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Rychl\u00e9 ot\u00e1zky<\/strong><\/h4>\n\n\n\n
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S jak\u00fdmi materi\u00e1ly pracuje\u0161 nejrad\u011bji a jak\u00e9 naopak nesn\u00e1\u0161\u00ed\u0161?<\/p><\/div>

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\u201eNem\u00e1m obl\u00edben\u00fd ani nen\u00e1vid\u011bn\u00fd materi\u00e1l. R\u00e1da pracuji s t\u00edm, co je nov\u00e9. N\u011bkdy je to \u010dist\u00fd experiment, jindy textiln\u00ed thriller. Nejv\u011bt\u0161\u00ed v\u00fdzvou jsou materi\u00e1ly, kter\u00e9 se sypou jako p\u00edsek \u2014 n\u00e1dhern\u00e9, ale velmi t\u011b\u017ek\u00e9 na zpracov\u00e1n\u00ed.\u201d<\/p>\n<\/div><\/div>\n\n\n\n

Jakou celebritu bys cht\u011bla obl\u00e9kat?<\/p><\/div>

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\u201eNechci si vyb\u00edrat \u2014 chci, aby si lid\u00e9 vybrali m\u011b. M\u00f3da je pro m\u011b dialog, ne monolog.\u201d<\/p>\n<\/div><\/div>\n\n\n\n

Co si nej\u010dast\u011bji mus\u00ed\u0161 dokupovat v galanterii?<\/p><\/div>

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\u201e140 metr\u016f \u0161ikm\u00e9ho prou\u017eku, hromadu nit\u00ed a dv\u011b krabice kor\u00e1lk\u016f \u2014 v\u011bt\u0161\u00ed ne\u017e moje v\u00edra ve voln\u00fd v\u00edkend.\u201d<\/p>\n<\/div><\/div>\n\n\n\n

Nejlep\u0161\u00ed \u0161ic\u00ed lifehack?<\/p><\/div>

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\u201eBr\u00e1t \u0161it\u00ed jako malov\u00e1n\u00ed \u2014 ka\u017ed\u00fd steh je jako tah \u0161t\u011btcem. Kdy\u017e inspirace zm\u011bn\u00ed sm\u011br, n\u00e1sleduju ji.\u201d<\/p>\n<\/div><\/div>\n\n\n\n

Kolik \u0161\u00e1lk\u016f k\u00e1vy vypije\u0161 za den?<\/p><\/div>

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\u201e6 a\u017e 10 \u0161\u00e1lk\u016f. Je to moje palivo, modlitba a terapie v jednom.\u201d<\/p>\n<\/div><\/div>\n\n\n\n

Kter\u00fd trend by podle tebe nem\u011bl existovat?<\/p><\/div>

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\u201eSlep\u00e9 n\u00e1sledov\u00e1n\u00ed trend\u016f. Styl bez charakteru je pr\u00e1zdn\u00fd.\u201d<\/p>\n<\/div><\/div>\n\n\n\n

Pro jakou celebritu bys cht\u011bla d\u011blat styling?<\/p><\/div>

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\u201eNejv\u00edc m\u011b bav\u00ed pom\u00e1hat p\u0159\u00e1tel\u016fm \u2014 tam je opravdov\u00e1 m\u00f3da.\u201d<\/p>\n<\/div><\/div>\n\n\n\n

Jak\u00fd kus oble\u010den\u00ed by nem\u011bl chyb\u011bt v \u017e\u00e1dn\u00e9m \u0161atn\u00edku?<\/p><\/div>

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\u201eKlasick\u00e9 sako a kalhoty \u2014 stylov\u00e1 kostra ka\u017ed\u00e9ho \u0161atn\u00edku.\u201d<\/p>\n<\/div><\/div>\n\n\n\n

Nejdivn\u011bj\u0161\u00ed m\u00f3dn\u00ed trend, kter\u00fd se ti l\u00edb\u00ed?<\/p><\/div>

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\u201eV\u00fdrazn\u00e9 barvy. V \u0161ed\u00fdch dnech je barevn\u00fd kus oble\u010den\u00ed z\u00e1zrakem.\u201d<\/p>\n<\/div><\/div>\n\n\n\n

Kdybys byla kusem oble\u010den\u00ed, co bys byla?<\/p><\/div>

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\u201eSako \u2014 pro jeho univerz\u00e1lnost, s\u00edlu a schopnost p\u0159izp\u016fsobit se.\u201d<\/p>\n<\/div><\/div>\n\n\n\n

Jak\u00fd outfit podle tebe vystihne rok 2025?<\/p><\/div>

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\u201eBarokn\u00ed \u0161aty se \u0161pinav\u00fdm lemem \u2014 velkolepost v dob\u011b vyho\u0159en\u00ed.\u201d<\/p>\n<\/div><\/div>\n\n\n\n

Tvoje \u0161ic\u00ed no\u010dn\u00ed m\u016fra?<\/p><\/div>

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\u201eKdy\u017e dojde spodn\u00ed nit ve \u0161pulce v kritick\u00e9m momentu, kdy\u017e steh uhne nebo kdy\u017e nem\u00e1m \u010das, ale m\u00e1m inspiraci.\u201d<\/p>\n<\/div><\/div>\n\n\n\n

Na koho bys poslala m\u00f3dn\u00ed policii?<\/p><\/div>

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\u201eNa v\u0161echny, co po\u0159\u00e1d nos\u00ed leopard\u00ed vzory \u2014 a\u017e na p\u00e1r v\u00fdjimek, t\u0159eba editory Vogue.\u201d<\/p>\n<\/div><\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"Kolekce Zjeven\u00ed je osobn\u00ed poctou drah\u00e9mu \u010dlov\u011bku a oslavou s\u00edly vzpom\u00ednek. Vyjad\u0159uje my\u0161lenku, \u017ee ztr\u00e1ta je sou\u010d\u00e1st\u00ed \u017eivota, ale sv\u011btl\u00e9 vzpom\u00ednky n\u00e1m pom\u00e1haj\u00ed j\u00edt d\u00e1l. Design\u00e9rka […]","protected":false},"author":47,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-34264","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/zlindesignweek.com\/2026\/wp-json\/wp\/v2\/pages\/34264","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zlindesignweek.com\/2026\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/zlindesignweek.com\/2026\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/zlindesignweek.com\/2026\/wp-json\/wp\/v2\/users\/47"}],"replies":[{"embeddable":true,"href":"https:\/\/zlindesignweek.com\/2026\/wp-json\/wp\/v2\/comments?post=34264"}],"version-history":[{"count":8,"href":"https:\/\/zlindesignweek.com\/2026\/wp-json\/wp\/v2\/pages\/34264\/revisions"}],"predecessor-version":[{"id":41204,"href":"https:\/\/zlindesignweek.com\/2026\/wp-json\/wp\/v2\/pages\/34264\/revisions\/41204"}],"wp:attachment":[{"href":"https:\/\/zlindesignweek.com\/2026\/wp-json\/wp\/v2\/media?parent=34264"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}